Tuesday 23 March 2010

Chrissy Zmijewski, I lerve you!

 

BAM!

 

POW!

YEEEEEEEAAAAAAAHHHH!

 

MMMMMMMMMM!

 

Phew! I'm all hot and tired-out just watching. Seriously. If I'd had PE teachers like her at school, I wouldn't have ended up more doughnut than Adonis. Chrissy's fitness tips are definitely among my five a day. Essential, inspirational viewing.

I lerve you Chrissy!

 

Anyway, I'm off to cyberstalk this amazing Amazonian and then Imma gonna worship her.

 

Oh Ms  Zmijewski.  I humbly  prostrate myself at your feet. I am not worthy! I am not worthy!

Saturday 20 March 2010

Uncle Climax on Skins?

So I was watching the anticlimactic season 4 finale of Skins and found myself utterly incapable of suspending disbelief. Not because of the silly serial-killer/psychiatrist plot hurriedly bolted onto the show; not because the show's comedy bumpkin-bimbo Pandora suddenly decides that she's a genius on a Harvard scholarship; not even because the Bristol police are outwitted by a trouble-seeking teenaged tosspot.

The decree Absolute for the show's messy divorce from plausability flopped onto the doormat about midway into the episode. There's a scene where having partied hard, the oversexed, overdrugged kiddies pick this

as their chill-out song of choice.

Really?

So I'm prepared to buy into just about every other labored comedic conceit and preposterous plot that the Skins writers proffer (a parade of nubile, and often lesbo, teenaged gals will help sweeten the deal) but 'c'mon! The cool kids of a Bristol college are Buck 65 fans? Surely they're all too busy spending their inexplicable wealth of disposable income on copious class As and condoms to know or care about the self-styled "Weirdo Magnet" of Canadian “Folk hop?”

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Has it come to this? #1

HAS IT COME TO THIS?

Has it come to this? The Ringtone ‘Rapper’ Reich has attained gleichschaltung and this monument to venal cynicism

 

is topping the charts. So you're telling me that in a season where Diversion Tactics, Foreign Beggars and Lews Tewns are all dropping great material, that^ reductionist garbage is the epitome of British rap music?

You're 'avin a bubble...

On the real tho…I can’t front…I can relate.  I feel Tinie Tempah’s pain.   I too know what it’s like to have visitted Southampton  but not Scunthorpe  Shit’s deep yo…..

Could OFCOM or The Official Chart Company or PRS (or whoever's remit it is) *please* impose some mutually-exclusive distinction between retail music and that licensed for production purposes. I'm fed up with shitty songs fronted by excrescent acts topping the retail charts  only because they’ve enjoyed months of subliminal promotion when used to peddle mobiles, T4, ASBOs, Chlamydia medication (or whatever it is that 'da yufe' are into these days). PRS/OCC should stipulate a six month cool-off period between the time when such “music” is used for adverts/BBC Three idents and the time when it is released as a retail single. Play fair kiddies.

Friday 19 March 2010

Chapter ‘n Verse

psalmone1

Here's the latest from Biochemist-come-rapstress Psalm One.  New song, new website and news.

 

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Thursday 18 March 2010

Die high

 

“Victims” of “legal highs” are utterly undeserving of sympathy. Toilet-bleach, creosote and Pot Noodle are all “legal” but that doesn’t mean you need to ingest them. Please could all you ‘Psychonauts,’ “pharmaceutical adventurers’ - or whatever you’re calling yourselves this week - please remove yourselves from the genepool and the already overstretched NHS ASAP. If you sincerely want to be in the vanguard of medical advance, offer yourself up for organised pharmaceutical trials. If you wilfully buy and consume “research chemicals” explicitly designated

“NOT for human consumption”

then you deserve everything that’s coming to you. If you consume chemicals “not for human consumption” then this should be taken as a legally-binding relinquishment of the title “human” and a surrendering of all the rights that accompany human status. I wish all you “legal high” devotees a long and agonising death. XO.

Same applies to all you twats who think your drink needs a codeine mixer. I feel sorry for those you Purple Drank addicts leave in your wake.  If you choose to poison yourself, that’s on you.  Don’t expect sympathy.  Don’t expect paramedics to waste their time on your self-inflicted poisoning.  Don’t dress up your moronic disregard as either some courageous act of youthful rebellion or some faggy cry for help. 

 

 

If you’re an adult then start acting like one and take responsibility for your own actions.  You wanna poison yourself for kicks? Find a gutter and go party like it’s your birthday.  At least have the basic decency to take responsibility for your own life/death. Parliament’s got bigger and better issues to preside over than the needless misadventure of some dumb chavs who don’t know how to party without killing th

emselves.

Wednesday 17 March 2010

Who’s got the love for this?

Just seen this on a music channel so gather it’s now an official release - who's bright idea was this?

Florence & The Machine's cover of Kandi Staton's You've got the love has long-since attained ubiquity as the soundtrack to every commercial, movie trailer and reality-TV montage you care to name.  Surely it's already made her, her band, her label and the writers and publishers of the original enough money? Surely? Florence "Lungs" Welch has the most powerful and distinctive voice in Pop today so what was to be gained by pairing her thunderous vocals with the piercing squawks of a professional parakeet inpersonator?  

The song was as good as it was ever gonna be without the addition of Dizzie Rascal's shrill, nasal ululation. 

Adding Rap doesn't make everything better.  This 'Urban' sprawl needs to stop.  What next? Is the pope gonna commission media-darling Banksy to "Urban" up the Sistine chapel with his primary school stencilling?

 

Stop it!

Monday 15 March 2010

It’s all Greek to me…

bdolan1

I'm thoroughly enjoying B Dolan's sophomore album Fallen house, sunken city and have had it on repeat play all evening. A particular fave cut at the moment is “The Reptilian Agenda.” It's one of those David Icke-parrotting, pseudo-semiotic-scholarship conspiracy-theory raps concerned with them there shapeshifting lizard folk who run everything. I do however need to take issue with one of the song's lyrics, namely -

"the snake in a double helix the Greek symbol for medicine"

RONG! RONG! RONG! RONG!

Hermes's Caduceus

"the snake in a double helix," intertwined round a winged-staff is a caduceus. The caduceus is the symbol of Hermes, Greek God of messengers, merchants, travellers and thieves. Hermes is the Olympian go-between/liaison-officer, communicating with mortals on behalf of the Gods. He and his caduceus have nothing, nada, nought to do with medicine nor the medical world. The Caduceus was incorporated into the Roman mythology of Mercury (a god with similar non-scientific professional remits as his Greek predecessor). It's got about as much of a mystical connection with the double-helix structure of DNA as does a Cadbury's Curlywurly

.

Rod%20of%20Asclepius

 

"the Greek symbol for medicine" - well at least the popular (Americanised) emblem of doctors and nurses and healers in general is the staff of Asclepius: a single serpent wrapped round a rod. Asclepius: is the demigod offspring of Apollo and mortal princess Coronis. The serpent-stick thingomy commemorates the story where an imprisoned Asclepius whacks one snake into pieces but then a magical second snake comes to his cell baring restorative herbs that resurrect the dead snake and bestow Asclepius with a miraculous power of healing.

 

theresadifference

You rappers (especially you pretentious know-it-all lyrical fellas) need to derive less of your knowledge base from wikipedia and more of your facts from books or teachers or parents or other responsible adults.  At least Google what you read on Wikipedia to see if such “facts” are corroborated by more reliable texts.

 

harryhill

Now, I like DJ Muggs & Sick Jacken's "Reptile Renaissance" and I like Alias & B Dolan's "Reptilian Agenda." But which David-Icke-cribbing rap song is best.... There's only one way to find out:

FIGHT!

Sunday 14 March 2010

Cover-version Court, case #1

Rap cover-versions eh…… The nadia of commercial cynicism or the zenith of postmodernist self-reflexivity? Probably neither but here’s two recent examples of rappers covering rap songs….

 

First up is Buck65’s Bike For Three side-project (The “More heart, less brains” albums dropped on Anticon last year) and their reworking of the MC Shan album-cut, “MC Space.”

What’s the point in making your cover-version more retro/dated than the original? Dogg only knows….

 

And here’s an acoustic rendering of a Cru classic from the multi-instrumentalist Chamber-pop-fanatic and Eastcoast-Truskool revivalist, Lushlife.

 

This painstakingly faithful reproduction shouldn’t work but, IMHO, it’s splendid….

‘You cannot be serious!’

I’m too drunk/Sunday’d-out to think up something cool to write about this.  Here’s a promo video from emcee/producer/singer-songwriter/P&C CEO Mcenroe  (for the uninitiated Head, think of Braintax but with talent, humility and a thought-provoking sense of perspective).

 

Saturday 13 March 2010

Some glad chatter about a mad hatter bad rapper comin atcha!

 

Greek Wiggaboy Dappy wares one hat. Sage Francis’s buddy Curtis Plum wears two hats. You do the math:

Half Paul Lynde + half-BG = all novelty-rap hero.

So whilst N-Dubz continue searching facebook in vane for their integrity and the receipt for their souls, Curtis Plum keeps cranking out the adenoidal odes to bike cops, mobile phones and nearly being raped by Lil Wayne.

Heeding that old adage, "if you can't beat 'em, join 'em," Curtis Plum's response to the epidemic of Soulja Boy, Sean Kingston and Ke$ha-fronted homages to Ipods, ringtones and [insert name of the latest bauble of conspicuous consumption here] is to meet them head on. Like Snakebite & Black, the Curtis Plum formula is as simplistic as it is effective. Pick a cliché break-beat or a drum machine preset....add a Casio keyboard melody and then have hip hop’s most unhip hop character recite irritatingly catchy tributes to undeserving zeitgeists. Mr Plum can probably crank out a new album every week - and for now at least, I hope he does.

I love novelty raps and it gets none better than Plum. That said, I wish that Sage Francis and his Strange Famous family would restore the balance of light and shade, hilarity and heartbreak on the same release rather than all these polarised releases of entirely flippant or exclusively maudlin albums. The appeal (to me) of Sage's "sick..." compendiums is the way in which piss-taking and soul-searching seesaw with one another on the same record (if not the same track). The closest Strange Famous has got to coupling yin with yang on the one CD in a looooong time is this Scrubstastic, Cool J-indebted collaboration between labelmates Plum and Mr B Dolan.

 

 

#It’s Guy-love, that’s what it is.#

 

And back to that hapless hat-wearing Hellenic halfwit homunculus of "UK hip hop" known to his mum as Dino Contostavlos (known to me as an utter pusti malaka)

 

If BBC 1Xtra (a state-sanctioned "Urban" radio station) is to believed, platinum-certified N-Dubz are the epitome of British Black music. Thing is, at least two of The government's pro/anti-bullying Tsars are White (like ‘70s dog chod but not as affectionately remembered). What’s more, it turns out that the latest ghost-writer of their gritty urban ditties is Gary Barlow (fat, white Northern club-singer-come-Takethat-frontman).

So, if all goes to plan, expect to hear me hosting Radio 4's "Womans' hour," taking the female lead in Bollywood blockbusters and outshining all other TV ads as the new Milky Bar Kid. Dappy, thou hath shown me the way and the light! Why bother addressing piffling topics such as Turkey's ongoing occupation of Northern Cyprus when you can be the self-appointed figurehead of the Black British underclass. You might as well nominate yourself for ‘lesbian stilt-walker of the year’. Stop sending your fans sub-literate txt threats and do something to help get my family's homeland back you skatahead!

 

Anyhoos, Curtis Plum's stupid-dope "Call my cell phone" and B Dolan's dead serious "Fallen house, sunken city" are now available from Strange Famous Records. The former is a hoot. The latter integrates the militant spirit of Golden Era Public Enemy with the oblique, enigmatic lyricism of post-Artfag hip hop and channels this enhanced super-strain of thought through the Glitchified, organ-dissolving alienistic zoombap of Alias. Many injustices are broached during the album - but what about SFR’s decision not to give Alias equal billing with Dolan? That aint right.

Friday 12 March 2010

Here’s a Wonky introduction of how nice I am

(OK, I wrote waaaaaaaaaay too much for Blogger’s “About Me” section so waste not, want not)

Who am I? Why ask me? For as long as I can remember, I've been a figment of other peoples' imagination.  Hell! Even my "real" name isn't my real name.  Back in playschool, the staff deemed my actual name too "foreign" and "confusing" for them and the '80s.  So, they dustpanned my cultural inheritance (the name of two Scottish kings, that Great Byzantine emperor & a Funky Dread), and I was hence-forth saddled with the moniker of a cartoon Velociraptor (worst. Swapsies. Ever).  Neurologists and paediatricians discouraged my mother from ever teaching me my mother tongue because, in their expert opinion,  it’d “confuse” me.  Their medical negligence changed the way I see the world but more pertinently, it effects the way others see me.  I'm a half-pint who's half-English and, to most people, half-human - and that's pretty half-assed.  There's nothing half-hearted about me.   

I've never been a creature of the herd.  I've never sought nor made many strong bonds beyond my immediate family.  Consequently, this oddball "Wog" has drifted in erratic orbit around the fringe of the outer circle of everything - like some brown dwarf star.  Being regarded as ‘half’ this and ‘half’ that can, in small doses, afford one an amusing perspective.  However, unlike Dr Who, Superman or Jesus, I don't have the luxury of invincible immortality to fritter away on the sidelines of halfwits’ half-baked antics.  I'm not  footnote-fodder, no asterisk-jockey nor a marginaliac.  I've wasted enough of my life, trying to live up to or against expectation – only to still have to reside in the remove.  Enough is enough.  I'm Me as hell and I'm not gonna take it any more....

 


In the olden stories, uber-titan Cronos got put through his own magimix by his upstart offspring and his remains were strewn throughout the dismal depths of Tartarus.  With the passage of time, Cronos pulled himself together, downsized his ambitions and settled for a desk job in the elysian fields.     In that there titanic Harry Potter franchise, evil Lord Voldemort  seeks immortality by decanting portions of his soul between several Horcrux vessels.  I gather it does not pan out so well for Voldy.  I’m entering the blogosphere to reclaim a gestalt identity from fragments of the real me I find embedded in various incidents of social interaction and cultural consumption.  Failing that^ pseudo-intellectual goal, I’ll simply slag off as many people, movies, books and records as I can, as often as I can. 

I've never kept a diary before so why start now? Well here's the chapter 'n verse:

"The path of the social alienated is beset on all sides by the iniquities of RECEIVED opinion and  the tyranny of tabloid strawmen. Blessed is he, who, in the name of candour, and blogtacular time-filling, shepherds society's scapegoats out of the valley of dumb-ass platitudes, for he is truly his sanety's keeper and the finder of lost TUNES. And I will strike down upon my keyboard with great sarcasm and furious whimsy against those who would attempt to poison and destroy my blog. And u will know my name is The CritIQ when I lay my funke-funke wisdom upon thee."

 

 

I am a ferel, feckless and full-time useless Social alien, hear me grumble!